Enrique Iglesias---Hero
<P><STRONG>歌手简介：</STRONG>1975年5月8日，Enrique出生在西班牙的马德里，其父就是大名鼎鼎Julio Iglesias(胡里奥·伊格莱西亚斯)。当他还是个孩子时就随父亲迁居到了美国的迈阿密，没过多久，他便迷上了The Rolling Stones乐队。15岁那年，他的音乐才能逐渐凸现出来，他开始用英语写歌，并借他朋友的车库用来排练，当时的风格深受Police和Dire Straits的影响。随着年龄的增长，Enrique受到拉美、加勒比海、北美文化的影响和他体内血液中的母性文化的召唤，开始使用母语来进行创作。很多年以后，Enrique接受《洛杉矶时报》记者采访时是这样回忆成长的经历：“是Bob Dylan、Bruce Springsteen、Rod Stewart、Billy Joel的音乐伴随我长大的。我购买第一张CD就是Dire Straits，当年我才7岁。我是靠我对音乐的热情来征服听众的，Bruce Springsteen和Bob Dylan同样也是这样。” </P><P> </P>
<P>[media=mp3,400,50,1]http://220.166.62.60/music/enriqueiglesiashero.mp3[/media]</P>
<P><SPAN>专辑名称：</SPAN>《Escape》</P>
<P> </P>
<P><SPAN>专辑简介：</SPAN>If money is the great influence, then call Enrique Iglesias the most influential Latin music artist in the world, having sold a record-breaking number of albums over a stretch of several years. With Escape, his sophomore English-language release, he brings the whole Latin Invasion to a screeching halt, or "maybe" a gentle halt, making for an opportune screeching question: Have Latins traded in their musical roots for the American musical dream? When Latin-flavored music came flooding into the United States in the late '90s, it sounded a lot more, well, "Latin" than it sounds these days. Repetition and popularity certainly have something to do with it, and keep in mind that the likes of Ricky Martin, Christina Aguilera, and Jennifer Lopez have had the benefit of hits from American pop writer heavyweights like Diane Warren, Carl Sturken, and Evan Rogers. Here, however, is an album executive produced by and with every song written (with collaborators) by Iglesias. The musical result is not exactly consecrated to his native country of Spain, nor his Miami upbringing. Touring with musicians from the bands of Billy Joel, Elton John, and Bruce Springsteen might have shaken loose the rock soul inside of him. Escape is a pop/rock album through and through, and it is also reminiscent of classic pop albums of the 1980s — short (ten original songs), sweet, and wildly catchy. It is not without Spanish flavor, if only for Iglesias' pronunciations and three added Spanish-version tracks; it just has other priorities in mind. Though Iglesias' songs always turn up as remixes and at dance clubs, and though he could just as easily thicken the sound effects to overtake the basic melodies, he remains reserved in sound and lyric. On "One Night Stand," he makes reference to intimate belongings left behind by his "girlfriend." There is such a childlike vulnerability in his voice that listeners get the impression this scenario may not have ever happened to him. ... </P>
[[i] 本帖最后由 花儿这样红 于 2008-5-30 09:21 编辑 [/i]] 帅哥的歌，声音像他老爸一样得好
页:
[1]